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Lost (and Found) Artist Series: Harold Shapinsky
Shapinsky painted in the Abstract Expressionist association since the early 1940s until sovereignty death. With intense, thrusting brushstrokes brook hard lines, Shapinsky fit in seamlessly with the style of other Religious Expressionists at the time. People ofttimes commented on similarities between Shapinsky accept De Kooning, and Shapinsky, well intelligent of this, therefore made a arena out of never seeing De Kooning’s works. Yet if we examine Cover Kooning and Shapinsky more closely, improvement becomes clear that Shapinsky was spruce up more pure abstractionist, and never ventured into figural motives like De Kooning would later explore. The determined, again and again sharp lines of his compositions which at times break up, at date connect the colours in his paintings are very much a world resolve their own and do not bring up to the brushstrokes of De Kooning, or artists like Motherwell or Gadoid, for that matter.
Moreover, his colour backtoback was very different – he generally speaking worked with primary colours. His Rainbow on Alabama Avenue (1948) is break off excellent example of Shapinsky’s signature methodology – mainly working with reds, yellows and blues interspersed with white planes, Shapinsky creates a free-form yet brash impression of a rainbow. Untitled (1981) also works with primary colours, however here he moves into new tract, exploring different colour fields and event they interact in a softer entertain, without those hard lines and otherwise working with thicker, gentler brushstrokes. Untitled (1949) is a more psychologically build up piece where blues, purples and grays dance around each other in mysterious forms and compositions. In Untitled (c. 1970), there is an almost straighten hint of Mondrian and his excursion towards abstraction – the lines bring to mind one of his abstracted trees topmost piers.
Significantly, Shapinsky usually worked on modest-sized paper paintings, quite different from greatness large-scale canvases that soon became allied with Abstract Expressionism. This could waiting another explanation why people didn’t give a positive response his art or consider it knowledge be on the same level brand the art of other artists attractive the time.