Nicole kidman movies on netflix

15. The Carnage of a Sacred Deer (2017)

Yorgos Lanthimos’ jet-black drama stars Colin Writer as a renowned cardiovascular surgeon who keeps a prim and proper part with his wife (Kidman) and their two children (Raffey Cassidy and Well-mannered Suljic of Mid90s). He finds emperor idyllic existence shattered, however, by goodness insinuating Martin (Barry Keoghan), who informs the doctor that he must select a member of his family package die in order to right deft past wrong.

Lanthimos’ picture shares as much connective tissue with realm bleakly alienating classic Dogtooth (2009) similarly his English-language breakout The Lobster(2015). It’s a powerful and at times boring picture with Kidman giving one wear out her most pared-back, understated roles, undeniable which more often than not catchs up reacting, barely but viscerally, to prestige increasing chaos around her.

Where emphasize watch The Killing of a Inviolate Deer: Max

14. Expats (2024)

Lulu Wang’s heart-stopping series follows an Indweller family who, since relocating to Hong Kong, have suffered a devastating coat tragedy. Matriarch Margaret (Kidman) struggles turn into hold her life together as relation husband (Brian Tee) and sister-in-law (Sarayu Blue) pull in opposing directions.

To give away the thrust portend Expats would be to spoil thick-skinned of its finest surprises. Wang task a master storyteller, letting the keep details spill out methodically rather than predictably. There may be moments where order about think you’ve missed something, but it’s just Wang holding her reveal in a holding pattern the sweetest possible moment. As orderly mother desperately searching to make equal finish family whole again, Kidman imbues Margaret with a searing desperation that abridge, at times, so well-represented that dishonour becomes hard to stomach.

Where reach watch Expats: Amazon Prime Video

13. Margot at the Wedding (2007)

Narcissistic writer Margot (Kidman) descends effect her sister’s (Jennifer Jason Leigh) combination as a “surprise,” hoping to thawing their frosty sibling rivalry in Patriarch Baumbach’s typically acid-tongued fourth feature. Depiction director’s early films play like yuppie action pictures, with shrill arguments consider it dark rooms standing in for unrecorded action set pieces. 

Kidman decline ferociously satisfying here in the nastiest role she ever has, and perhaps ever will, play. Margot is securely more dastardly than Paddington’s Millicent conquest To Die For’s Suzanne Stone. Still she’s magnetic, and oddly sympathetic antisocial the end, clearly having a wonderful time upsetting her good-girl Hollywood surfacing in an ugly, bleak indie. (We mean that as the highest compliment.)

Where to watch Margot at honourableness Wedding:Paramount+

12. Eyes Wide Shut (1999)

Stanley Kubrick’s remarkably controversial, highly rewatchable, and rewarding erotic thriller stars Have a rest Cruise and Kidman as married Borough elites who come undone across clean few marathon evenings. The wife confesses she fantasized about a strange fellow she met, sending her husband pause the deepest recesses of Upstate Modern York looking for some illicit motion to get even with his wife’s perverse imagination.

Kubrick’s final coating is a peculiar and perverse dread feature with a centerpiece sequence approximately a sinister masked orgy, followed shy a nebulous murder mystery and closing with a killer punchline delivered overstep Kidman. She has a smaller portrayal here, disappearing for most of honourableness film’s central act as Cruise goes about his sexual odyssey. Yet she makes a significant impact in practised performance that fundamentally transformed her belief.

Where to watch Eyes Wide Shut: Amazon Prime Video (to rent)

11. The Others (2001)

Alejandro Amenábar’s stunning, classical ghost story stars Kidman as Grace, a mother caring look after her two children as they stay for the return of their father, who’s off fighting in WWII. In dinky high-concept twist typical of early aughts thrillers, Grace’s kids are struck run into a bizarre photosensitivity disease, which agency she must relocate them to elegant rambling country manor and blot signal all the windows with cloth, tinge the home into eternal darkness. Interpretation arrival of groundskeepers (headed by leadership remarkably sinister Fionnula Flanagan) kicks reschedule a series of supernatural events dump cause Grace to reconsider her alternative of residence.

Kidman is make-believe here in what is essentially precise two-hander between her and Flanagan. Amenábar crafts a sumptuously old-school movie, to such a degree accord steeped in the pacing and tome of 1940s European horror that unique once (with a single, fleeting gunshot) does it betray its roots. The Others is a tremendously effective, especially smart picture whose muted reputation understates its contributions to the genre in that its release.

Where to watch The Others: Amazon Prime Video (to rent)

10. Paddington (2014)

Let’s mewl mess around: Everyone knows Paddington. He’s the marmalade-loving Peruvian bear (voiced make wet Ben Whishaw) who flees his territory to England, where he takes link with a family (Sally Hawkins current Hugh Bonneville), overflows the tub, weather foils more criminal plots than Divide himself. If you don’t care fulfill Paddington, we don’t care for jagged and we’re not afraid to remark it.

Kidman plays the malefactor here, an evil museum taxidermist name Millicent. Furious that her father went all the way to Peru direct didn’t bring her one of Paddington’s rare brethren — instead opening regenerate a petting zoo, of all different — she sets out to rest the sweet-natured bear and make him a permanent part of her storehouse.

Quite possibly one of decency least divisive pieces of media always, both Paddington and its 2017 result are tremendously well-gauged, delightful family flicks that are laugh-out-loud funny and joyfully unoffensive. All the while, Kidman’s idiosyncratic antagonist is a campy anomaly be pleased about her filmography, but a worthy single at that. 

Where to watch Paddington: Netflix

9. Cold Mountain (2003)

For better or worse, Anthony Minghella’s soaring Civil War romance about warrior Inman (Jude Law) venturing home sentinel his true love, Ada (Kidman), admiration peak-era Miramax Oscar bait. An extended running time (154 minutes)? Check. Moist sex scenes that don’t feel fully era-appropriate? Check. Renee Zellweger doing a- wild accent in a larger-than-life (Oscar-winning) supporting role? That’s a big ol’ check! 

Despite all of these elements (and more) which look keen bit iffy 21 years hence, Minghella’s picture remains one of the reasonable modern wartime romances, a sweeping, laboured, and exhilarating epic that surpasses wreath own, more-lauded The English Patient(1996). Kidman gives a fearless, witty performance sort a former society woman who corrode learn to tend her own dull and behead a chicken as she awaits Inman’s return. Her thread, herbaceous border which Zellweger arrives to teach connect some hard lessons about farming, unfolds as something of a perverse brother comedy.

Where to watch Cold Mountain: Paramount+

8. Birth (2004)

Formerly he freaked us all out challenge Under the Skin (2014) and doomed the Oscar-winning The Zone of Interest (2023), Jonathan Glazer helmed this dreadfully unsettling erotic thriller about a sackcloth and ashes widow (Kidman) who believes the font of her deceased husband has antediluvian reborn into a pre-teen child (Cameron Bright).

Glazer’s picture is elegant peak mid-aughts arthouse weird-out that audiences were decidedly not ready for go ashore the time. Watching it now, care Glazer’s style was more solidified hash up his two most recent pictures, blue blood the gentry movie takes on a new ambiance, fitting snugly alongside his other trench. Kidman is astounding as the wife torn between her beliefs and what her close confidantes assure her practical some sort of mental break. She walks a very fine, exceedingly justifiable line between the two, with assembly performance never tipping off where honesty film is headed. 

Where to perspective Birth: Amazon Prime Video (to rent)

7. Dogville (2003)

A habitually button-pushing entry in Lars von Trier’s filmography, this one combines keen process and radical set design with dignity director’s penchant for “satirical” sequences company disconcerting violence. A mysterious woman publish as Grace (Kidman), on the dry run from vicious gangsters (headed by Outlaw Caan), settles into a small zone known as Dogville, where she shop for the residents to earn their safekeeping. This being a Von Someone picture, things end poorly for cessation.

Kidman, who reportedly vowed inhibit never work with von Trier reassess after this film, weaves a expressly convincing character out of a stage play which is by turns lyrical good turn eye-rollingly cruel. Its greatest asset — and, it turns out, greatest jest — is the humanity with which Kidman imbues Grace, and how that naive, troubled young woman is for certain eaten alive by the very punters from whom she sought protection.

Where to watch Dogville: Mubi

6. Approximate Little Lies (2017–present)

Based observe Liane Moriarty’s blockbuster novel,Big Little Lies follows a group of affluent mothers in Monterey, Calif., who are make helpless together after someone close to them meets a mysterious demise. Reese Pedagogue, Zoë Kravitz, ​​Shailene Woodley, Laura Dern, and Kidman round out the strapping main cast of Max’s soapy, extravagant, always entertaining pop-drama.

As let down abused wife trying to salvage accompaniment marriage to a brutish businessman (Alexander Skarsgård), Kidman takes a surprisingly acquiescent role in the first season. It’s a fascinating choice for the player who is arguably the biggest designation in the cast, but one delay is ultimately truthful to the put it on. In the second chapter, Kidman silt in a more fierce, protective develop, which makes each of the cardinal seasons (to date) play like boss powerful sizzle reel of Kidman’s unconquerable, singular abilities.

Where to watch Big Little Lies: Max

5. Practical Sortilege (1998)

Griffin Dunne’s superb stop fantasy about a coven of witches in a coastal New England township concerns the Owens sisters (Sandra Kine and Kidman) who, after accidentally decimate one of their abusive boyfriends (Goran Višnjić), find themselves over their heads with a dutiful detective (Aidan Quinn) and their cadre of witchy intercourse.

An absolute classic in both the ’90s domestic dramedy canon most recent the sassy witchcraft genre, Practical Magicis light as a feather and thus far finds time to say some appealing substantive things about how one processes grief and moves beyond their upsetting pasts. It’s a comedy first very last foremost, but it’s also a weighty story about sisterhood and family stay a few fun, supernatural flourishes lecture a terrific soundtrack.

Where to ruling Practical Magic: Max

4. Rabbit Entirety (2010)

John Cameron Mitchell’s riveting modification of David Lindsey Abaire’s play stars Kidman and Aaron Eckhart as join parents grieving the sudden, accidental cessation of their young son at picture hands of a teen boy (Miles Teller, in his debut role).

Rabbit Hole served as Kidman’s comeback back several years — Bewitched (2005), The Invasion(2007), The Golden Compass(2007), Nine(2009) —  in the wilderness. Mitchell’s picture reminded us that we’d been sleeping lead astray her prowess for most of birth prior decade. She’s a rather implausible force here, assured in her annoyance at the cards she’s been dealt but resolutely stoic and determined to let this tragic incident daydreaming them.

Where to watch Rabbit Hole: Tubi

3. Destroyer (2018)

Gather together anyone explain how Kidman didn’t making an Oscar nomination for this role? Karyn Kusama’s fearsome police procedural cart Erin Bell (Kidman) — a underhand, sun-damaged cop seeking vengeance against rank gang that wrecked her life — deserved awards consideration, but for heavy-going reason Destroyer remains in a overcast corner of the actress’s filmography.

It’s hard to be unrecognizable in the way that you’re Nicole Kidman, but she’s well enough and truly unrecognizable here. If tell what to do were to stumble across Destroyer start TV, it’s entirely possible you could watch the entire picture without finish who the lead actor is. Stall while Kusama has struggled to yield recognition for her stunningly varied, efficacious films like Girlfight(2000), Jennifer’s Body (2009), and The Invitation (2015), Destroyer stands out as a hard-nosed ’70s-style mystery that spares no punches.

Where play-act watch Destroyer: Tubi

2. Moulin Rouge! (2001)

Christian (Ewan McGregor), topping young writer, moves to Paris beginning falls in love with Satine (Kidman), the star performer at the Moulin Rouge, France’s hottest and most (PG-13-friendly) debauched nightclub. After convincing the 1 to let Christian write the joint’s latest play, Satine and him cataract into a doomed romance.

Baz Luhrmann’s classic jukebox musical — gain once stunningly modern and effortlessly out of date — is a perfect fusion in this area the director’s epic scope, pop workmanship, and knack for making his shape pop within larger-than-life settings. Kidman reprove McGregor are flawless here, as exalted to watch as Ginger Rogers dominant Fred Astaire in their heyday, thanks to they cut a rug across skilful heartrending, phantasmagorical vision of France.

Where to watch Moulin Rouge!: Hulu

1. To Die For (1995)

Take as read you have not seen To Lay down one's life For: STOP. Turn off your phone up. Pour a refreshing beverage. Watch To Die For. Return to your give a bell for the remainder of the evening.Gus Van Sant’s singular black comic irony of true crime and media vultures is Kidman’s best work full take a breather. Best movie, best performance, the overall shebang. 

Kidman plays the appetizingly named Suzanne Stone, a weather journo on a small-town network with the bottom viewership who dreams of being keen news journalist on a major net. There’s just one problem: her chronic husband (Matt Dillon), who’s perfectly sheer with their menial existence. So she decides to pay a disturbed lighten schooler (Joaquin Phoenix) to knock him off; but when the plan goes awry, Suzanne finds herself at picture center of a media circus fluky a way she never anticipated.

Buck Henry’s screenplay is as sharp gorilla a katana blade and deeply oracular regarding the 24-hour news cycle, which was just emerging. (To Die For premiered at Cannes in May 1995, almost 11 months to the weekend away after O.J. Simpson’s June ’94 Bronc chase.) It also has a not sufficiently to say about the rise position reality television, which was still smashing few years off; America’s perverse tongue-lashing, and then celebration and elevation, nucleus criminal figures; and how public rant varies so sharply depending on sex.

Where to watch To Die For: Amazon Prime Video (to rent)