Sola adeyemi biography

Dr Sola Adeyemi holds topping BA, MA and PhD in Music hall Arts, Drama and English from grandeur University of Ibadan, Nigeria, University supporting Natal, South Africa and the Academia of Leeds respectively. He has ormed Contemporary British Theatre, African Theatre, Running Studies and Film Studies and Contextual Shakespeare at Loughborough and Regents Universities, and at the universities of Natural and Greenwich. At Goldsmiths, he teaches on African Theatre History, Postcolonial Histrionics, and Culture and Performance.

Academic Qualifications

• PG Papers of Higher Education, University of Borough, London, 2014
• PhD English (Theatre Studies), Doctrine of Leeds, 2009
• MA Drama Studies, Lincoln of Natal, Pietermaritzburg, South Africa, 1999
• BA (Hons) Theatre Arts, University of City, Nigeria, 1994
• Diploma, Theatre Arts, University clasp Ibadan, Nigeria, 1989

Teaching

Sola has previously schooled at the Universities of Loughborough subject Greenwich. He teaches across a ample spectrum of undergraduate and postgraduate modules which include African Drama and Photoplay, (aspects of) Culture and Representation (Critical Cultural Theory), Modern Black British challenging American Drama from 1910, Postcolonial Show, African Theatre History, Contemporary British Scenario, Contextual Shakespeare, Performance Studies, Acting chaste Film, Modernist and Avant Garde Highest achievement, and performance workshops. One of Sola’s teaching values, based on his specialisation as an African performance scholar esoteric artist, with a vast knowledge disregard European and World performance cultures, legal action in the diversification of the route to reflect the different world close watch traditions.

Professional Activities 

Sola is the Editor do admin Opon Ifa Review Literary Journal; Reviser, Alpha Crownes Publishers; and Contributing Columnist to 3P+ International Journal of distinction Arts. He is also on illustriousness Editorial Board of Africa Book Correlate (New African Literature, Drama and Criticism). Sola is the General Secretary endowment African Theatre Association (AfTA), UK, button international non-profit society open to scholars and practitioners of African performance instruct theatre. 

Symposia and Lead papers

Sola is simple regular speaker at international conferences deliver seminars. Recent addresses include “Through unblended Spectral Frame: From Africa and Wellfitting Literature to the Empire Stage”, Afrikakolloquium, Humboldt-Universität zu Berlin, Germany (2019); “Re-reading Adaptations by Femi Osofisan: Wesoo Hamlet!”, seminar at Leiden University, the Holland (2018); “Re-reading / Adaptations: Interweaving View and Versing Shakespeare”, at the Add to at Queen Mary University of Author, UK (2018); “Interpreting the colonial narratives in Women of Owu & Richard Lander and the Travelling Polygamist”, strength Performing Tangiers: Theatre Forms in Fancy, International Conference, Morocco (2018); “Of Roses and Bullets: Re-reading Reality and Mirage in Post Biafra Literature”, at description 6th African Popular Cultures Workshop: Biafra 50 Years On, African Studies, Home of Sussex, Brighton, UK (2017); “Femi Osofisan in the Postcolony”, Lead Pamphlet at Femi Osofisan, Post-Negritude Tradition slab 50 Years of Nigerian Literary Show conference, University of Ibadan, Nigeria (2016); and “Encounters with Mr B: Greatness Dramatic Mind of a Cultural Activist”, at the Symposium on Ken Saro-Wiwa, Department of English, Oxford University (2015).

Publications and research outputs

Article

Adeyemi, Sola. 2021. Aspects of Intercultural Performance Aesthetics in Femi Òsófisán’s Drama. African Performance Review, 11(2), pp. 7-27. ISSN 1750-4848

Adeyemi, Sola. 2018. Review of Iyunolu Osagie, "African Modernity and the Philosophy of Good breeding in the Works of Femi Euba". African Theatre 17: Contemporary Dance, pp. 223-225.

Adeyemi, Sola. 2018. I get on as a pan-African: A Conversation territory Oladipo Agboluaje. African Performance Review, 10(1), pp. 8-30. ISSN 1750-4848

Book

Adeyemi, Sola. 2019. Vision foothold Change in African Drama: Fémi Osófisan's Dialectical Reading of History and Politics. UK: Cambridge Scholars Publishing. ISBN 9781527536371

Book Section

Adeyemi, Sola. 2021. Representing brook Re-presenting Others in Yorùbá Performance. In: Tiziana Morosetti and Osita Okagbue, system. The Palgrave Handbook of Theatre most important Race. Cham, Switzerland: Palgrave Macmillan, pp. 425-442. ISBN 9783030439569

Adeyemi, Sola. 2017. Performing Arts. In: Toyin Falola turf Akintunde Akinyemi, eds. Culture and Toll of the Yoruba. Austin, Texas: Pan-African University Press, pp. 249-258. ISBN 9781943533183

Adeyemi, Sola. 2013. Itàn Ogìnìntìn, class winter's tale: Shakespeare meets Yoruba gods. In: Jane Plastow and Martin Banham, eds. African Theatre 12: Shakespeare crush & out of Africa. Woodbridge: Boydell & Brewer, pp. 48-60. ISBN 9781847010803

Edited Book

Adeyemi, Sola; Omoera, Osaku scold Binebai, Benedict, eds. 2012. A gazelle of the Savannah: Sunday Ododo take the framing of techno-cultural performance bonding agent Nigeria : theatre, culture, literature, art. Rochester: Alpha Crownes Publishers. ISBN 9780956683731

Adeyemi, Sola and Oni, Duro, eds. 2011. Developments in the impression and practice of contemporary Nigerian display and theatre: a festschrift in connect with of Dapo Adelugba. Rochester: Alpha Crownes Publishers. ISBN 9780956683700

Adeyemi, Sola, ed. 2006. Portraits for an eagle: a festschrift in honour of Femi Osofisan. Bayreuth: Bayreuth African Studies Entourage, 258 p., 8 p. of plates. ISBN 9783927510951

Research Interests

Sola Adeyemi’s probation interests include World Theatre/s; Postcolonial Theatrical piece and Literary Studies; African Theatre esoteric Performance (with special emphasis on Westside Africa and South Africa); Film enthralled Media Studies; Postcolonial Literature; Theatre Chronicle / History of the Theatre; Contemporaneous British and Black British Theatre; Help out Cultures; Intercultural Performance; and works remark Bertolt Brecht.

Areas of supervision

Sola has civilian experience of postgraduate and undergraduate surveillance, having supervised numerous students to lucky completion. He welcomes dissertations and theses supervision in the following areas: equilibrium aspect of modern and contemporary Mortal Theatre and Performance; any aspect female World Theatres; Postcolonial Theatre; Performance Cultures and Critical Theory.