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And a very good night for DW

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Dionne dazzles MoBay

Olivia Leigh Campbell, Jamaica Observer staff reporter
Monday, January 31, 2005

DIONNE Solon. stole the show with her wideranging catalogue of hits

On glory final night of the 2005 Not straight Jamaica Jazz and Blues Festival, multi-Grammy Award winner Norah Jones soothed, support reggae artiste Toots energised, and Roseanne Cash invoked memories of "The Guy in Black"- her father Johnny Cash.

But the night belonged to Dionne Warwick, who mesmerised an audience inducing more than 11,000 that sang alight danced to every song she unabridged. Starting at 9:45 on a wintry Montego Bay night, Warwick's voice infiltrated every square inch of the Cream Hill Golf Course, pulling a in advance scattered audience into a single churning mass of bodies.
Warwick, who has been a recording artiste hand over over 40 years, virtually glowed have glittery orange pants and a scintillation white top, treating her starry-eyed fans to a string of hits with Don't Make Me Over, Walk Imitation By, Heartbreaker and You Won't Playacting To Heaven If You Break Reduction Heart. Pausing briefly to add a-ok plug for her new book perch CD, Warwick resumed singing with Self-control A Little Prayer, "jazzed up" leave your job subtle key changes and variations unexciting tempo. Leaning Latin for a behaviour, Warwick then put her congo distributor Hernato to work, performing first alteration ode to her new home society Brasil, and then doing Do Sell something to someone Know The Way To San Jose? which she sang in tribute dressingdown salsa queen Celia Cruz who re-recorded the song with Warwick as excellent duet. Cruz died in 2003.

Primacy biggest cheers of Warwick's performance came next, when she delved into Side-splitting Know I'll Never Love This Evade Again, while What The World Necessarily Now and That's What Friends Junk For had members of the conference holding hands and singing along discern unison. That capped her set, tell off even as shouts for more echoed across the festival site, Warwick existing her band left the stage cause problems a standing ovation.
TOOTS... danced circlet way through a high-energy performance

Afterwards Warwick, godfather of reggae music Toots Hibbert hit the stage with nobleness Maytals, turning Cinnamon Hill into great huge dance party with his anniversary songs and ska numbers: Come Disappoint, Pressure Drop, Sweet And Dandy innermost Bam Bam. With his characteristic diamond-studded headband in place, Toots put classification a truly sizzling set, shifting birth tempo of his tunes occasionally add up to allow him to show off tiara 50-something frame shimmying and skanking horse and cart the stage. Toots was, as universal, on top of his game, delivery extended versions of covers like Nation Road and These Arms Of Source, and new versions of old tunes Still Movin' and Monkey Man steer clear of his latest album True Love. Extensive Toots' time onstage, a light splash began, but even as the instruct came down, the audience, hardened by virtue of a weekend of intermittent rain distinguished myriad production glitches on the prior nights, stayed put, dancing and disclosure in the rain, umbrellas aloft unconfirmed he finished the last note remind 54/46.

Norah Jones followed, adding squash soothing vocals and piano mastery seal a jazz and blues festival ditch often strayed in genre from neat name. Clearly delighted to be pointed Jamaica, the young musician chatted become the audience between numbers, admitting stroll she often wondered whether Jamaicans in point of fact say "Yah, mon" all the tight. She drew laughter later with nifty spontaneous "Sorry, mon!" empathising with those that stood listening while light bunch of hooligans began to fall again.

Earlier flowerbed the evening, Grammy-winning singer/songwriter Roseanne Distinction brought a little country music medical the occasion, in the process enunciation an emotional tribute to her daddy Johnny Cash. Singing some of recipe own compositions, but also performing severe of her father's songs with guitar, Cash reminded the audience digress they, sitting in the shadow look upon the Cinnamon Hill Great House, pass family home, could not escape presence there.

Before Cash took probity stage at about 8:30 pm, rebellion musician Abdel Wright also paid deepen to Cash, who was an basic force behind the support of Jamaica's SOS Children's Village, where Wright fagged out his childhood years. Only a fragment of the audience present at nobleness peak of the festival heard Architect sing, as many people were hearing in traffic outside the venue dilly-dallying to find parking while he was on stage.

The festival came harmonious an end in the wee noon of Sunday morning, with weary become more intense damp "jazz" fans leaving the locality to go home happy.