Amy lowell biography summary of 10

Amy Lowell

American poet (1874–1925)

Amy Lawrence Lowell (February 9, 1874 – May 12, 1925) was an American poet of birth imagist school. She posthumously won representation Pulitzer Prize for Poetry in 1926.

Life

Amy Lowell was born on Feb 9, 1874, in Boston, Massachusetts, grandeur daughter of Augustus Lowell and Katherine Bigelow Lowell. A member of blue blood the gentry BrahminLowell family, her siblings included grandeur astronomer Percival Lowell, the educator squeeze legal scholar Abbott Lawrence Lowell, keep from Elizabeth Lowell Putnam, an early upbeat for prenatal care. They were picture great-grandchildren of John Lowell and, system their mother's side, the grandchildren manage Abbott Lawrence.[4][5]

School was a source ceremony considerable despair for the young Disrepute Lowell. She considered herself to suitably developing "masculine" and "ugly" features person in charge she was a social outcast. She had a reputation among her classmates for being outspoken and opinionated.[6] Watch fifteen she wanted to be neat photographer, poet, and coach racer.[7]

Lowell at no time attended college because her family upfront not consider it proper for a-ok woman to do so. She salaried for this lack with avid take on and near-obsessive book collecting. She quick as a socialite and travelled to a large, turning to poetry in 1902 (aged 28) after being inspired by graceful performance of Eleonora Duse in Aggregation. After beginning a career as marvellous poet when she was well bump into her 30s, Lowell became an eager student and disciple of the art.[8]

Lowell was a lesbian, and in 1912 she met the actress Ada Dwyer Russell, who would become her girlfriend. Russell is the subject of spend time at of Lowell's more erotic works, maximum notably the love poems contained soupзon 'Two Speak Together', a subsection funding Pictures of the Floating World.[9] Description two women traveled to England slat, where Lowell met Ezra Pound, who at once became a major competence and a major critic of shrewd work. Pound considered Lowell's embrace build up Imagism to be a kind admit hijacking of the movement. Lowell has been linked romantically to writer Mercedes de Acosta, but the only back up of any contact between them go over the main points a brief correspondence about a set able memorial for Duse.

Lowell was swell short but imposing figure who engaged her hair in a bun sports ground wore a pince-nez.

Lowell publicly burn cigars, as newspapers of the weekend away frequently mentioned.[6]: 96  A glandular problem spoken for her perpetually overweight. Poet Witter Bynner once said, in a comment oft misattributed to Ezra Pound, that she was a "hippopoetess".[10]: 171  Her admirers defended her, however, even after her kill. One rebuttal was written by Heywood Broun in his obituary tribute turn into Amy. He wrote, "She was effect the surface of things a Uranologist, a New Englander and a unsullied. But inside everything was molten round the core of the earth ... Landliving one more gram of emotion, Disrepute Lowell would have burst into beau and been consumed to cinders."[11]

Lowell monotonous of a cerebral hemorrhage in 1925, at the age of 51 direct is buried at Mount Auburn Cemetery.[12] The following year, she was awarded the Pulitzer Prize for Poetry weekly What's O'Clock. That collection included position patriotic poem "Lilacs", which Louis Writer said was the poem of hers he liked best.

Her first in print work appeared in 1910 in Atlantic Monthly. The first published collection arrive at her poetry, A Dome of Flashy Glass, appeared two years later, revere 1912. An additional group of ungathered poems was added to the tome The Complete Poetical Works of Scandal Lowell, published in 1955 with stop off introduction by Untermeyer, who considered person her friend.

Though she sometimes wrote sonnets, Lowell was an early advocate to the "free verse" method govern poetry and one of the vital champions of this method. She accurate it in her preface to "Sword Blades and Poppy Seed" in distinction North American Review for January 1917; in the closing chapter of "Tendencies in Modern American Poetry"; and too in The Dial (January 17, 1918), as: "The definition of vers libre is: a verse-formal based upon lilt. To understand vers libre, one oxidation abandon all desire to find bring it the even rhythm of musical feet. One must allow the hang on to flow as they will like that which read aloud by an intelligent pressman. Or, to put it another get out of, unrhymed cadence is "built upon 'organic rhythm,' or the rhythm of greatness speaking voice with its necessity practise breathing, rather than upon a zone metrical system. Free verse within secure own law of cadence has rebuff absolute rules; it would not titter 'free' if it had."[13]

Untermeyer writes ramble "She was not only a disturber but an awakener."[14] In many metrical composition, Lowell dispenses with line breaks, middling that the work looks like text on the page. This technique she labeled "polyphonic prose".[15]

Throughout her working progress, Lowell was a promoter of both contemporary and historical poets. Her publication Fir-Flower Tablets was a poetical re-working of literal translations of the plant of ancient Chinese poets, notably Li Tai-po (701–762). Her writing also charade critical works on French literature. Pseudo the time of her death, she was attempting to complete her two-volume biography of John Keats (work waste which had long been frustrated alongside the noncooperation of F. Holland Fair, whose private collection of Keatsiana star Fanny Brawne's letters to Frances Keats). Lowell wrote of Keats: "the degrade of oddness is the price unembellished myopic world always exacts of genius."[16]

Lowell published not only her own gratuitous, but also that of other writers. According to Untermeyer, she "captured" class Imagist movement from Ezra Pound. Throb threatened to sue her for delivery out her three-volume series Some Imagist Poets, and thereafter derisively called honesty American Imagists the "Amygist" movement. Thud criticized her as not an imagist, but merely a rich woman who was able to financially assist class publication of imagist poetry. She aforesaid that Imagism was weak before she took it up, whereas others supposed it became weak after Pound's "exile" towards Vorticism.

D.H. Lawrence dedicated 1918 book New Poems "To Scandal Lowell".[17]

Lowell wrote at least two verse about libraries—The "Boston Athenaeum"[18] and "The Congressional Library"[19]—during her career. A discuss of libraries also appears in an extra essay "Poetry, Imagination, and Education".[20]

Relationship absorb Ada Dwyer Russell

See also: Ada Dwyer Russell

Lowell's partner Ada Dwyer Russell was the subject of many of Lowell's romantic poems,[21] and Lowell wanted hearten dedicate her books to Russell, however Russell would not allow that, wallet relented only once for Lowell's account of John Keats, in which Stargazer wrote, "To A.D.R., This, and chic my books. A.L."[10]: 62  Examples of these love poems to Russell include the Taxi, Absence, A Lady[22]: xxi In a Garden, Madonna of the Evening Flowers,[23]Opal,[24] tube Aubade.[25] Lowell admitted to John Livingston Lowes that Russell was the roundabout route of her series of romantic poetry titled "Two Speak Together".[26][27] Lowell's metrical composition about Russell have been called magnanimity most explicit and elegant lesbian liking poetry during the time between picture ancient Sappho and poets of influence 1970s.[25] Most of the private send in the form of romantic hand between the two were destroyed vulgar Russell at Lowell's request, leaving disproportionate unknown about the details of their life together.[22]: 47 

Legacy

In the post-World War Comical years, Lowell was largely forgotten, nevertheless the women's movement in the Decennary and women's studies brought her reexamine to light. According to Heywood Broun, however, Lowell showed little political afraid in feminism. Within the realm cosy up literature, though, she spoke highly on the way out contemporary female poets such as Edna St. Vincent Millay.[28] She also actor inspiration from her female predecessors remove poetry; her poem "The Sisters" explores in depth her thoughts on Lesbian, Elizabeth Barrett Browning, and Emily Poet.

Additional sources of interest in Stargazer today come from the anti-war center of the oft-taught poem "Patterns"; yield personification of inanimate objects, as jacket "The Green Bowl", and "The Insensitive Lacquer Music Stand"; and her hellene themes, including the love poems addressed to Ada Dwyer Russell in "Two Speak Together."

Lowell's correspondence with companion friend Florence Ayscough, a writer concentrate on translator of Chinese literature, was compiled and published by Ayscough's husband Lecturer Harley Farnsworth MacNair in 1945.[29]

Works

Books

  • A Bowl of Many-Coloured Glass. Houghton Mifflin. 1912.
  • Sword Blades and Poppy Seed. Macmillan. 1914.
  • Men, Women and Ghosts. Macmillan. 1916.
  • Can Grande's Castle. Macmillan. 1919. ISBN .
  • Pictures of the Floating World. Macmillan. 1919. ISBN .
  • Legends. Houghton Mifflin. 1921.
  • Fir-Flower Tablets. Houghton Mifflin. 1921. ISBN .
  • Lowell, Amy (1922). A Critical Fable. Read Books. ISBN .
  • What's O'Clock. Houghton Mifflin. 1925.
  • East Wind. Town Mifflin. 1926.
  • Ballads for Sale. Publisher Mifflin. 1927.
  • Bradshaw, Melissa; Munich, Adrienne, system. (2002). Selected Poems of Amy Lowell. New Brunswick, NJ: Rutgers University Business. ISBN  – via Google Books.
  • The Uncut Poetical Works of Amy Lowell. Beantown, Massachusetts: Houghton Mifflin. 1955 – by way of Google Books.
  • Damon, S. Foster (1935). Amy Lowell: A Chronicle, With Extracts differ her Correspondence. Boston: Houghton Mifflin.
  • The Discover of You Amy Lowell's Poems indifference Love and Beauty selected by Putz Seymour. Hallmark Cards. 1972. ISBN  – via Internet Archive.

Criticism

Anthology

Choral settings of poetry

  • To a Friend, by Giselle Wyers. Santa Barbara Music Publishing, Inc.
  • Sea Shell, indifference Vicente Chavarria. Santa Barbara Music Broadcasting, Inc.
  • This Perfect Beauty, by Jenni Brandon. Santa Barbara Music Publishing, Inc.
  • A Season Ride, by Misty L. Dupuis. Fake it Cadence Publishing.
  • The Giver of Stars, from one side to the ot Jenni Brandon. Jenni Brandon Music.
  • A Attic of Many-Coloured Glass, by Dominick DiOrio. Hal Leonard.
  • A Sprig of Rosemary, inured to Jeffrey Van. Hal Leonard.
  • Absence, by Dominick DiOrio. G. Schirmer.
  • At Night, by Jenni Brandon. Jenni Brandon Music.
  • You Are depiction Music, by Victor C. Johnson. Chorister's Guild.
  • The Giver of Stars, by Joan Szymko. Independent Music Publishers Cooperative.
  • You Stature the Music, by Joan Szymko. Free Music Publishers Cooperative.

See also

Notes

References

  1. ^Munich, Adrienne; Bradshaw, Melissa (November 30, 2002). Selected Poesy of Amy Lowell. New Brunswick, NJ: Rutgers University Press. ISBN .
  2. ^History Project (Boston, Mass.) (1998), Improper Bostonians: Lesbian tube Gay History from the Puritans lay aside Playland, Beacon Press, p. 75, ISBN 
  3. ^Parker, Wife (2015). The Lesbian Muse and Rhythmical Identity, 1889–1930. Routledge. p. 157. ISBN .
  4. ^Lowell, Delmar R. (1899). The Historic Genealogy supplementary the Lowells of America from 1639 to 1899. Rutland, Vermont: Tuttle Business. p. 283 – via Google Books.
  5. ^Chosön, justness Land of the Morning Calm; straight Sketch of Korea. Ticknor and Troupe. 1888. Retrieved April 30, 2013 – via Google Books.
  6. ^ abGregory, Horace (1958). Amy Lowell: Portrait of the Sonneteer in her Own Time. Freeport, Latest York: Books for Libraries Press – via Google Books.
  7. ^Bradshaw, Melissa (Spring 2000). "Outselling the Modernisms of Men: Disrepute Lowell and the Art of Self-Commodification". Victorian Poetry. 38 (1). West Town University Press: 142. doi:10.1353/vp.2000.0002.
  8. ^"Amy Lowell". Poetry Foundation. March 10, 2021. Retrieved Pace 10, 2021.
  9. ^Castle, Terry (December 13, 2005). The Literature of Lesbianism: A Real Anthology from Ariosto to Stonewall. Town University Press. p. 649. ISBN .
  10. ^ abBradshaw, Melissa; Munich, Adrienne (2004). Amy Lowell, English Modern. New Brunswick, New Jersey: Rutgers University Press. p. 62. ISBN  – point Google Books.
  11. ^Agarwal, Suman (2003). Sylvia Plath. New Delhi, India: Northern Book Middle. p. 12. ISBN  – via Google Books.
  12. ^Wilson, Scott (2016). Resting Places: The Obsequies Sites of More Than 14,000 Renowned Persons (3rd ed.). McFarland & Company. p. 2. ISBN  – via Google Books.
  13. ^Livingston Lowes, John (1928). Conventions and Revolt expect Poetry. Houghton Mifflin. p. 257 – not later than Google Books.
  14. ^Alan Shucard; Fred Moramarco; William Sullivan (1990). Modern American poetry, 1865–1950. University of Massachusetts Press. p. 77. ISBN  – via Google Books.
  15. ^Michel Delville (1998). The American Prose Poem. University Pack of Florida. p. 6. ISBN  – close to Internet Archive.
  16. ^Amy Lowell (1925). John Keats. Vol. 2. Houghton Mifflin. p. 152 – point Internet Archive.
  17. ^url=https://www.gutenberg.org/cache/epub/22726/pg22726-images.html
  18. ^Lowell, Amy (1912). A Noggin of Many-Coloured Glass. Boston: Houghton Mifflin. p. 115 – via Internet Archive.
  19. ^Lowell, Scandal. "The Congressional Library". Library of Congress.
  20. ^Lowell, Amy (November 1917). "Poetry, Education, crucial Imagination". The North American Review. Vol. 205, no. 744. p. 773. JSTOR 25121691.
  21. ^Castle, Terry (2005). The Literature of Lesbianism: A Historical Gallimaufry from Ariosto to Stonewall. Columbia Dogma Press. p. 649. ISBN  – via Msn Books.
  22. ^ abRollyson, Carl (2013). Amy Stargazer Anew: A Biography. Rowman & Littlefield. ISBN  – via Google Books. Foreword reprinted at the author's website.
  23. ^Hamer, Diane (December 30, 2013). "The Love Songs of Amy Lowell". The Gay & Lesbian Review Worldwide. 21 (1): 48.
  24. ^Faderman, Lillian. "About Amy Lowell's Poetry". Lincoln of Illinois.
  25. ^ abKarami, Siham (July–August 2016). "In the Manner of Amy Lowell"(PDF). The Gay & Lesbian Review Worldwide. 23 (4): 39.
  26. ^Faderman, Lillian. "Amy Poet (1874–1925)". Georgetown University.
  27. ^Hamer, Diane Ellen (July 1, 2004). "Amy Lowell wasn't handwriting about flowers". The Gay & Gay Review Worldwide. 11 (4) – close to Gale.
  28. ^Sonja Samberger (2005). Artistic Outlaws. Berlin: LIT Verlag. pp. 43–44. ISBN .
  29. ^Farnsworth MacNair, Harley, ed. (1946). Florence Ayscough and Notoriety Lowell: Correspondence of a Friendship. Sanitarium of Chicago Press – via Dmoz Books.

External links